<一次性 行旅> 王大志个展
新波画廊
开幕酒会：2007.4.14 下午5：30 敬请光临
展 期：2007.4.14------2007.5.15
地 址：上海莫干山路97号
电 话：021-62997126
网 址：
www.newbchina.com
<one-off journey> Wang Dazhi One Man Show
NewB Gallery will hold an exhibition for one of the finest Chinese artists,Wang Dazhi's original oil paintings
We have the pleasure to invite you to come and see the exhibition
On display from:2007.4.14-2007.5.15
Official opening:2007.4.14 5:30 PM
97 Moganshan Road,Shanghai,China
Tel:62997126
E-mail:newbgallery@hotmail.com
鸣谢以下媒体支持：（不分先后排名）
艺术界杂志
美术天地杂志
中国艺术品网
美术同盟
雅昌艺术网
视觉中国
上海春季艺术沙龙
上海惊蛰艺术联盟
70艺术家沙龙
我看“一次性 行旅”
我们画画为什么？难道就是为了把一块涂了油彩的画布买掉？显然不是。画画对与我们来说只是工具和手段，表达思想才是我们的目的。
大志的画实际上是提出了一个问题，那就是在今天这个高度消费化的世界里如何看待历史与自然。 他的每一幅画面整个都充满了硕大的一次性塑料杯，而在塑料杯里折射出的却是优雅温情的古典山水，这两种图式既矛盾又包容，形成了历史与现实、理想与生活、精神与物质的对立统一。
一次性塑料杯压迫感使我们不得不警觉于过度的物质化生活，而我们的出路在那里？画面中似乎明确地提示我们，中国人的老祖宗有很多办法，山水呀、花鸟呀、做梦呀都是我们的出路。
文化意识是说我们可以讨论一些大的问题，如历史问题、社会问题、科学问题等等，总之是可以关心一些自己身体以外的事情。这对于真正的艺术家很重要。
上海美术馆馆长：李磊
Why do we paint pictures? Was for to sell the canvas out? Obviously is not. For us drawing is only the tool and the method. the goal of us is to express conception.
The Dazhi’s picture were in fact propose a question： how to view the history and the nature in this highly consumption world today. His each picture was filled the gigantic disposable plastic cup, but refracts in the plastic cup actually is the graceful classical scenery with tender feeling. These two kinds of style are contradictive and contained, which has formed integrity and opposite of history and reality, the ideal and the real life, spirit and the material .
oppression of the disposable plastic cup make us be vigilant of the excessive material life, otherwise where is our outlet? As if explicitly prompts us in the picture, Chinese's ancestor has many means：such as landscape, flower-and-birds or only dreaming .
As to cultural consciousness , we may discuss some big issues, like questions of a historical problems, social question, scientific problems and so on. In brief, we may care about the matters outside our own. It is very important regarding the genuine artist.
我画“一次性 行旅”
我的作品关注的是日常生活情境中普通物品的美，试图通过描绘一次性塑料杯这种当下商业消费文化的一个大量、廉价消费品的符号，以及杯中因为挤压而产生的抽象的形状，通过挪用传统艺术的样式——在形式上借用了条屏、团扇、铜镜等中国传统艺术的图式，内容则挪用了传统国画的一些片段，用自己的视角处理，作品中挪用传统的图式，使用并置的手法，造成一种碰撞、不和谐的画面，表达传统与现代之间的冲突、矛盾，从而表达当代社会对传统文化暧昧不清的指向，探讨传统文化与当代消费文化的关系——崇高与廉价之间地相互消解。
艺术家：王大志
In my works, I am concerning about beauty in common commodity of our daily circumstances. Through describing disposable cup ----the symbol that represent consumptive culture and abstract shape caused by pressure; through borrowing the pattern of traditional art—the form of Chinese screen、circle fan、brass mirror; through creating discordant effect by juxtaposition, I want to express the conflict between tradition and present and to express the contemporary ambiguous direction or understanding of traditional culture and to discuss the relationship between traditional culture and contemporary consumptive culture.—solution between loftiness and cheapness. I also want to irritate meditation result from juxtaposition and irony. In an increasingly ostentatious and consumptive era that everything could be commodity, our attitude towards tradition is so dubious.
